Difference between revisions of "User:Kibblekip/Sandbox/The Days Have Worn Away/Transcript"

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<b>DEDICATED TO RICK MAY<br>ONE HELL OF A SOLDIER</b>
 
<b>DEDICATED TO RICK MAY<br>ONE HELL OF A SOLDIER</b>
  
[''The following page depicts another comic image of the young girl in the same position, now on the edge of a small dock over a frozen body of water. A different woman and man — the latter still depicted wearing multiple hats — lay in the same position as the previous pair, buried under the ice'']
+
[''The following page depicts another image of the young girl in the same position, now on the edge of a small dock over a frozen body of water. A different woman and man — the latter still depicted wearing multiple hats — lay in the same position as the previous pair, buried under the ice'']
  
 
<b>BADLANDS, NEW MEXICO</b>
 
<b>BADLANDS, NEW MEXICO</b>
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<b>SEVEN YEARS LATER</b>
 
<b>SEVEN YEARS LATER</b>
  
[''The comic opens to vultures in a desert, scavenging for food. They stand around several skeletons, some slightly buried in the sand. Suddenly, one of the vultures is shot with a '<b>{{font color|FFBB3D|BLAM}}</b>' sound, causing the others to fly away'']
+
[''The comic opens to vultures in a desert, scavenging for food. They stand around several skeletons, some slightly buried in the sand. Suddenly, one of the vultures is shot with a '<b>{{font color|FFBB3D|''BLAM''}}</b>' sound, causing the others to fly away'']
  
[''The angle shifts to show a prison in the background, with a worn sign reading 'BADLANDS CORRECTIONAL INSTITUTE' 'ESCAPEES WILL BE SHOT ON SIGHT' and many more skeletons around the desert'']
+
[''The angle shifts to show a prison in the background, with a worn sign reading 'BADLANDS CORRECTIONAL INSTITUTE' 'ESCAPEES WILL BE SHOT ON SIGHT' and many more skeletons scattered around the desert'']
  
 
'''Voice A''': I get him?
 
'''Voice A''': I get him?
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[''The voices are revealed to be security guards in a watch tower, one brandishing a rifle, the other using binoculars'']
 
[''The voices are revealed to be security guards in a watch tower, one brandishing a rifle, the other using binoculars'']
  
'''Unnamed Guard A''': Used to get a runner out in the '''''bone ocean''''' three, four times a week.
+
'''Prison Guard A''': Used to get a runner out in the '''''bone ocean''''' three, four times a week.
  
'''Unnamed Guard B''': Hey, Frank— you...?
+
'''Prison Guard B''': Hey, Frank— you...?
  
 
[''In the distance, a white cloud of dust can be seen'']
 
[''In the distance, a white cloud of dust can be seen'']
  
'''Unnamed Guard''': Do you '''''see''''' that? Out there on the horizon?
+
'''Prison Guard B''': Do you '''''see''''' that? Out there on the horizon?
  
 
'''Frank''': Nobody's even '''''tried''''' since '''''he''''' took over. When they moved him here, I gave him a '''''week.'''''
 
'''Frank''': Nobody's even '''''tried''''' since '''''he''''' took over. When they moved him here, I gave him a '''''week.'''''
  
[''The scene changes to the courtyard, showing several men — most covered in tattoos wearing prison attire; orange sweatpants, some also wearing white tanktops'']
+
[''The view changes to the courtyard, showing several men — most covered in tattoos and wearing prison attire such as orange sweatpants and white tanktops'']
  
 
'''Frank''': ["That was '''''seven years''''' ago."] ["Now '''''all''''' the gangs...] ["The Skulls, The Tongs, The Diablos...] ["Nobody lights a cigarette without his say-so."]
 
'''Frank''': ["That was '''''seven years''''' ago."] ["Now '''''all''''' the gangs...] ["The Skulls, The Tongs, The Diablos...] ["Nobody lights a cigarette without his say-so."]
  
[''The scene changes again to a prison cell, with a nervous, skinny man sitting on a bed. Two men are opposite him, one doing weightlifting on a bench with bandages wrapped around their hands, the other — a larger bodied man — spotting for the weightlifter'']
+
[''The scene changes to a prison cell, with a nervous skinny man sitting on a bed. Two men are opposite him, one doing weightlifting on a bench with bandages wrapped around their hands, the other — a larger bodied man — spotting for the weightlifter'']
  
'''Unnamed Guard''': ["Frank?"]
+
'''Prison Guard B''': ["Frank?"]
  
 
'''Frank''': ["They think he's '''''immortal.''''' I think they might be right."]
 
'''Frank''': ["They think he's '''''immortal.''''' I think they might be right."]
  
'''Unnamed Guard''': ["Frank, I think something's '''''coming.'''''"]
+
'''Guard B''': ["Frank, I think something's '''''coming.'''''"]
  
 
'''Inmate A''': I am so... ...so... ...'''so''' sorry.
 
'''Inmate A''': I am so... ...so... ...'''so''' sorry.
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[''Inmate C hands the bar up to the larger bodied man'']
 
[''Inmate C hands the bar up to the larger bodied man'']
  
'''Inmate C''': Rack it, T-Bone. You know, Diego... ...they say pain is weakness leaving the body...
+
'''Inmate C''': Rack it, [[Non-player characters#Diego and T-Bone|T-Bone]]. You know, [[[[Non-player characters#Diego and T-Bone|Diego]]... ...they say pain is weakness leaving the body...
  
 
[''Inmate C begins to unwrap the bandages around his hands, revealing them to have the letters 'WZRD LIFE' tattoed across each finger from right to left hand. Inmate A — Diego — stiffens up and begins to sweat'']
 
[''Inmate C begins to unwrap the bandages around his hands, revealing them to have the letters 'WZRD LIFE' tattoed across each finger from right to left hand. Inmate A — Diego — stiffens up and begins to sweat'']
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'''Inmate C''': ...but it's really more like agony '''''entering''''' it. Here. Let me show you.
 
'''Inmate C''': ...but it's really more like agony '''''entering''''' it. Here. Let me show you.
  
[''Inmate C is revealed to be [[Merasmus]], with various tattoos covering his body. The word 'ABRA KADABRA' is tattoo'd across the upper portion of his chest, and [[Non-player characters#Tom Jones|Tom Jones']] face on his lower left arm'']
+
[''Inmate C is revealed to be [[Merasmus]], with various tattoos covering his body. The words 'ABRA KADABRA' are tattooed across the upper portion of his chest, and [[Non-player characters#Tom Jones|Tom Jones']] face on his lower left arm'']
  
 
<center><b>PART SEVEN:<br><big>{{font colour|E2243D|THE DAYS HAVE WORN AWAY}}</big></b></center>
 
<center><b>PART SEVEN:<br><big>{{font colour|E2243D|THE DAYS HAVE WORN AWAY}}</big></b></center>
  
[''Merasmus gets up and begins to approach Diego, of whom is physically recoiling'']
+
[''Merasmus gets up and begins to approach Diego, of whom is physically recoiling in fear'']
  
 
'''Diego''': Please. Merasmus. Don't do any... magic on me.
 
'''Diego''': Please. Merasmus. Don't do any... magic on me.
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'''Merasmus''': Oh, don't worry, Diego...
 
'''Merasmus''': Oh, don't worry, Diego...
  
[''He grabs Diego by the neck and lifts him into the air, strangling him'']
+
[''He grabs Diego by the neck and lifts him into the air, choking him in the process'']
  
 
'''Merasmus''': ...I wouldn't waste good magic on you.
 
'''Merasmus''': ...I wouldn't waste good magic on you.
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'''Diego''': ''KKGH GHFFH''
 
'''Diego''': ''KKGH GHFFH''
  
[''Suddenly, a loud '{{font colour|FAC92E|CHKK}}' sound is made as a [[shovel]] raises out of the ground behind Merasmus. The [[RED]] [[Soldier]] emerges from the hole created, much to the shock of Merasmus'']
+
[''Suddenly, a loud '{{font colour|FAC92E|''CHKK''}}' sound is made as a [[shovel]] raises out of the ground behind Merasmus. The [[RED]] [[Soldier]] emerges from the hole created, much to the shock of Merasmus'']
  
 
'''Soldier''': Hello, convicts. Is there a shrivelled up old mummy in this prison?
 
'''Soldier''': Hello, convicts. Is there a shrivelled up old mummy in this prison?
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'''Merasmus''': But— but what are you doing here?
 
'''Merasmus''': But— but what are you doing here?
  
[''Soldier climbs out of the hole, followed by [[Non-Player Characters#Zhanna|Zhanna]], of whom now wears a prosthetic hand'']
+
[''Soldier climbs out of the hole, followed by [[Non-Player Characters#Zhanna|Zhanna]], of whom now dons a prosthetic hand'']
  
 
'''Zhanna''': We are breaking you out.
 
'''Zhanna''': We are breaking you out.
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'''Zhanna''': Listen to Zhanna, magical man. I will pull rabbit out of your ass with my foot. My foot will also be up rabbit's ass.
 
'''Zhanna''': Listen to Zhanna, magical man. I will pull rabbit out of your ass with my foot. My foot will also be up rabbit's ass.
  
[''T-Bone grabs Zhanna's neck, strangling her as her face turns red'']
+
[''T-Bone grabs Zhanna's neck, slowly choking her and causing her face to turn red'']
  
 
'''T-Bone''': '''''Hey.''''' No one touches the big guy. Let's all just—
 
'''T-Bone''': '''''Hey.''''' No one touches the big guy. Let's all just—
  
[''Suddenly, a [[Non-player characters#Soldier's children|small blond-haired child]] wearing a helmet akin to the Soldier's climbs up T-Bone's back, and attempts to — but fails — to snap his neck with a cut off '{{font colour|FECC30|NECK SN-}}' as Zhanna's face begins turning from red to blue"]
+
[''Suddenly, a [[Non-player characters#Soldier's children|small blond-haired child]] wearing a helmet akin to Soldier's climbs up T-Bone's back, and attempts — but fails — to snap his neck with a cut off '{{font colour|FECC30|''NECK SN-''}}' as Zhanna's face begins turning from red to blue"]
  
 
'''Blond child''': ''NFF''
 
'''Blond child''': ''NFF''
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'''Zhanna''': You can do it, honey.
 
'''Zhanna''': You can do it, honey.
  
[''The child successfully breaks T-Bone's neck, finishing the neck snap with a '{{font colour|FECC30|-AP}}' sound. The angle changes to show a horrified Merasmus with Soldier standing behind him, and the helmet-wearing child riding the shoulders of an [[Non-player characters#Soldier's children|eyepatch-wearing child]] in celebration'']
+
[''The child successfully breaks T-Bone's neck, finishing the neck snap with a '{{font colour|FECC30|''-AP''}}' sound. The view angle changes to show a horrified Merasmus with Soldier standing behind him, and the helmet-wearing child now riding the shoulders of an [[Non-player characters#Soldier's children|eyepatch-wearing child]] in celebration'']
  
 
'''Merasmus''': '''''T-BONE!'''''
 
'''Merasmus''': '''''T-BONE!'''''
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'''Soldier''': We're busting you out Merasmus. Big things are happening! I'm in. My wife is in. But son... ...we can't do it without you.
 
'''Soldier''': We're busting you out Merasmus. Big things are happening! I'm in. My wife is in. But son... ...we can't do it without you.
  
[''Merasmus looks at Soldier with bright, hopeful eyes'']
+
[''Soldier puts his hand on Merasmus' shoulder. Merasmus looks at Soldier with bright, hopeful eyes'']
  
 
'''Merasmus''': Soldier, I... I don't know what to say... you want me to join '''''[[Team Fortress 2|Team Fortress?]]'''''
 
'''Merasmus''': Soldier, I... I don't know what to say... you want me to join '''''[[Team Fortress 2|Team Fortress?]]'''''
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'''Merasmus''': Those are... ...the filthiest children I have ever seen.
 
'''Merasmus''': Those are... ...the filthiest children I have ever seen.
  
[''The angle shifts over to the Soldier, of whom is now fully nude and sitting on a toilet while holding one of Merasmus' books'']
+
[''The view shifts over to the Soldier, of whom is now fully nude and sitting on a toilet while holding one of Merasmus' books. The rest of his family is approaching the toilet while also undressing'']
  
 
'''Soldier''': Well, don't start handing out awards yet. Because I am about to use your toilet. All of us are. Once I go the kids get jealous. Zhanna, look at the size of this thing around my ass. Prison's been good to you, Merasmus. It's a shame you're leaving.
 
'''Soldier''': Well, don't start handing out awards yet. Because I am about to use your toilet. All of us are. Once I go the kids get jealous. Zhanna, look at the size of this thing around my ass. Prison's been good to you, Merasmus. It's a shame you're leaving.
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'''Soldier''': We're not going anywhere, Merasmus. Not without you.
 
'''Soldier''': We're not going anywhere, Merasmus. Not without you.
  
[''Merasmus walks over to the prison bars and listens, with many '{{font colour|F9F16B|SMASH}}' and so forth sounds coming from the hallway'']
+
[''Merasmus walks over to the prison bars and listens, with many '{{font colour|F9F16B|''SMASH''}}' and sounds coming from the hallway'']
  
 
'''Merasmus''': That's where you're '''''wrong,''''' Soldier! Listen! The '''''guards''''' are coming for you!
 
'''Merasmus''': That's where you're '''''wrong,''''' Soldier! Listen! The '''''guards''''' are coming for you!
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'''Merasmus''': Yes! And they're getting '''''closer!'''''
 
'''Merasmus''': Yes! And they're getting '''''closer!'''''
  
[''Soldier approaches the hole, as Zhanna and their children stand to the side; Georgia is using the toilet, while Patton is removing honey from a jar'']
+
[''Soldier approaches the previously dug hole, as Zhanna and their children stand to each side; Georgia is using the toilet, while Patton is removing honey from a jar'']
  
 
'''Soldier''': Crap. We should really be escaping right now. Everyone! Back into the hole!
 
'''Soldier''': Crap. We should really be escaping right now. Everyone! Back into the hole!
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'''Merasmus''': '''SOLDIER!'''
 
'''Merasmus''': '''SOLDIER!'''
  
[''The bricks on the wall behind them trail off into calendar pages for effect as Soldier begins to tell the story'']
+
[''The bricks on the wall behind them trail off into calendar pages as Soldier begins to tell the story'']
  
 
'''Merasmus''': ["Just tell me the '''''end''''' of the story."]
 
'''Merasmus''': ["Just tell me the '''''end''''' of the story."]
  
[''The scene changes to near the end of the [[The Naked and the Dead|previous comic]] with [[Miss Pauling]] giving her speech to the [[Team Fortress Classic|TFC]] [[Heavy (Classic)|Heavy]], as [[Saxton Hale]], [[Non-player characters#Maggie|Maggie]], Zhanna, and all of the mercs besides the [[Engineer]] stand behind her. [[Medic]] is holding a baby chimpanzee'']
+
[''The scene changes to near the end of the [[The Naked and the Dead|previous comic]] as [[Miss Pauling]] is giving her speech to the [[Team Fortress Classic|TFC]] [[Heavy (Classic)|Heavy]], while [[Saxton Hale]], [[Non-player characters#Maggie|Maggie]], Zhanna, and all of the mercs besides the [[Engineer]] stand behind her. [[Medic]] is holding a baby chimpanzee'']
  
 
'''Miss Pauling''': You want to know how we beat you?
 
'''Miss Pauling''': You want to know how we beat you?
  
[''The angle shifts to only show Soldier, Zhanna and [[Heavy]] standing together'']
+
[''The view shifts to only show Soldier, Zhanna and [[Heavy]] standing together'']
  
 
'''Soldier''': <small>''Look at us all standing around here, chumming it up like a bunch of schoolkids.''</small>
 
'''Soldier''': <small>''Look at us all standing around here, chumming it up like a bunch of schoolkids.''</small>
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'''Zhanna''': <small>''Yes.''</small>
 
'''Zhanna''': <small>''Yes.''</small>
  
[''Heavy's face scrunches in disapproval, as Soldier kneels down in front of him, holding up a grenade'']
+
[''Heavy's face scrunches in disapproval, as Soldier kneels down in front of him, holding up a grenade. Behind them Miss Pauling and [[Spy]] can be seen'']
  
 
'''Soldier''': I am on my knee, asking you for your sister's hand in marriage.
 
'''Soldier''': I am on my knee, asking you for your sister's hand in marriage.
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'''Heavy''': Because you live in cave.
 
'''Heavy''': Because you live in cave.
  
[''Suddenly, Soldier pulls out a [[Australium|subtly, yellow tinted rock]] and holds it up infront of him'']
+
[''Suddenly, Soldier pulls out a subtly glowing, yellow tinted rock and holds it up infront of him'']
  
 
'''Soldier''': Lined with gold! I only live in the cave so no one steals it. And '''''now''''' I don't have to defend my vast cave fortune '''''alone.''''' She has married into defending the cave! It's '''''our''''' cave now! We can sleep in shifts! It will be heaven!
 
'''Soldier''': Lined with gold! I only live in the cave so no one steals it. And '''''now''''' I don't have to defend my vast cave fortune '''''alone.''''' She has married into defending the cave! It's '''''our''''' cave now! We can sleep in shifts! It will be heaven!
  
'''Heavy''': This is... not gold.
+
'''Heavy''': This is... [[Australium|not gold]].
  
 
[''Miss Pauling abruptly snatches the Australium rock away and looks at it in awe'']
 
[''Miss Pauling abruptly snatches the Australium rock away and looks at it in awe'']
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'''Miss Pauling''': You guys: we did it. Not the way we planned, but we did it. Soldier's cave has enough Australium for centuries!
 
'''Miss Pauling''': You guys: we did it. Not the way we planned, but we did it. Soldier's cave has enough Australium for centuries!
  
[''As Miss Pauling stares at the rock, the yellow glow lighting up her face, [[Spy]] stands off to the side'']
+
[''As Miss Pauling stares at the rock, the yellow glow lighting up her face, Spy stands off to the side'']
  
'''Spy''': We could sell it and-
+
'''Spy''': We could sell it and—
  
 
'''Miss Pauling''': '''''Exactly.''''' We could bring it back to the '''''[[Administrator]].'''''
 
'''Miss Pauling''': '''''Exactly.''''' We could bring it back to the '''''[[Administrator]].'''''
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'''Scout''': Like five seconds ago. While you were yellin' at me.
 
'''Scout''': Like five seconds ago. While you were yellin' at me.
  
[''Saxton Hale throws Scout down on the ground, while in the background his pilot — [[Non-player characters#Jerry|Jerry]] — enters the plane'']
+
[''Saxton Hale throws Scout down on the ground in frustration, while in the background his pilot — [[Non-player characters#Jerry|Jerry]] — enters the plane'']
  
 
'''Saxton Hale''': '''''Fine!''''' I'll get my company back without her! Jerry! Whose plane is that?
 
'''Saxton Hale''': '''''Fine!''''' I'll get my company back without her! Jerry! Whose plane is that?
  
'''Jerry''': No idea, sir. Looks empty.
+
'''Jerry''': No idea, Sir. Looks empty.
  
 
'''Saxton Hale''': Well, we killed a lot of people here today, Jerry. Probably one of theirs. Fire it up! We're heading to Mann Co! Come on, fists, we've got a plane to catch and then crash.
 
'''Saxton Hale''': Well, we killed a lot of people here today, Jerry. Probably one of theirs. Fire it up! We're heading to Mann Co! Come on, fists, we've got a plane to catch and then crash.
  
[''Meanwhile, Miss Pauling continues to stare longingly at the Australium rock'']
+
[''Meanwhile, Miss Pauling continues to stare at the Australium rock, her expression a manic smile'']
  
 
'''Spy''': Miss Pauling...
 
'''Spy''': Miss Pauling...
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'''Miss Pauling''': Wait, what?
 
'''Miss Pauling''': Wait, what?
  
[''As the plane is preparing to take off, Miss Pauling dashes to the runway, waving her arms'']
+
[''As the plane is preparing to take off, Miss Pauling dashes onto the runway, waving her arms'']
  
 
'''Miss Pauling''': Hey! '''''Hey!''''' You stupid half-naked idiot! That's '''''ours!'''''
 
'''Miss Pauling''': Hey! '''''Hey!''''' You stupid half-naked idiot! That's '''''ours!'''''
  
'''Jerry''': There's a hysterical woman screaming at us from the tarmac, sir.
+
'''Jerry''': There's a hysterical woman screaming at us from the tarmac, Sir.
  
 
'''Saxton Hale''': Ha! That's a good one. Alright, my turn. I see... there. That cloud looks like a '''''tiger!'''''
 
'''Saxton Hale''': Ha! That's a good one. Alright, my turn. I see... there. That cloud looks like a '''''tiger!'''''
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'''Miss Pauling''': '''''Hey! HEY! That's our—'''''
 
'''Miss Pauling''': '''''Hey! HEY! That's our—'''''
  
[''As the plane takes off with a rumbling '{{font colour|EFD821|'''VRRROOOOOM'''}}' sound, Spy runs in and tackles Miss Pauling to the ground, saving her. She looks up in dismay at the plane'']
+
[''As the plane takes off with a rumbling '{{font colour|EFD821|'''''VRRROOOOOM'''''}}', Spy runs in and tackles Miss Pauling to the ground. She looks up in dismay at the now airborne plane'']
  
 
'''Miss Pauling''': That— that— that '''''Australian''''' took our plane!
 
'''Miss Pauling''': That— that— that '''''Australian''''' took our plane!
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'''Spy''': Well, not necessarily...
 
'''Spy''': Well, not necessarily...
  
[''He glances over to the bushes, where [[Sniper]] is inspecting an abandoned, rusty plane with moss and dirt covering it. Next to the plane is a sign reading '{{font colour|3F2210|DO NOT USE}}' and some gasoline canisters'']
+
[''He glances over to the bushes, where [[Sniper]] is inspecting an abandoned, rusty plane with moss and dirt covering it. Next to the plane is a sign reading '{{font colour|3F2210|''DO NOT USE''}}' and some gasoline canisters'']
  
 
'''Spy''': What do you think, Sniper? Can you fly it?
 
'''Spy''': What do you think, Sniper? Can you fly it?
Line 360: Line 360:
 
'''Sniper''': Only one way to find out: let's steal it.
 
'''Sniper''': Only one way to find out: let's steal it.
  
[''The scene cuts to Miss Pauling and the mercs mid-flight, approaching the entrance of a hidden bunker from the walls of a canyon, with the plane visibly burning up and creating a loud '{{font colour|EFD821|VRRRRRRR}}' sound. The [[BLU]] Engineer watches from a balcony, sipping from a cup as everyone parachutes out and the plane crashes nearby. The scene cuts further ahead to Miss Pauling and the mercs inside the lobby of the bunker, the former attempting to talk with a [[receptionist]]'']
+
[''The scene cuts to Miss Pauling and the mercs tightly packed into the plane mid-flight, approaching the entrance of a hidden bunker from the walls of a canyon, with the plane visibly burning up and creating a loud '{{font colour|EFD821|VRRRRRRR}}' sound. The [[BLU]] Engineer watches from a balcony, sipping from a cup as everyone parachutes out and the plane crashes nearby. The scene cuts further ahead to Miss Pauling and the mercs inside the lobby of the bunker, the former attempting to talk with a [[Non-player characters#Miss Krauthammer|receptionist]]'']
  
 
'''Receptionist''': I don't see you on the list. Could you '''''spell''''' that?
 
'''Receptionist''': I don't see you on the list. Could you '''''spell''''' that?
Line 366: Line 366:
 
'''Miss Pauling''': F...O...R...T... look, it doesn't matter. We need to see the Administrator. About '''''this.'''''
 
'''Miss Pauling''': F...O...R...T... look, it doesn't matter. We need to see the Administrator. About '''''this.'''''
  
[''She slams the Australium rock infront of the receptionist, and crosses her arms smugly'']
+
[''She slams the Australium rock infront of the receptionist with a loud '{{font colour|EFD821|''KLNK''}}' and crosses her arms smugly. The receptionist pokes it in confusion with her pen'']
  
 
'''Receptionist''': OK, this isn't a pawn shop. I can't let you past this desk. In fact, you shouldn't even be in the lobby. You need to—
 
'''Receptionist''': OK, this isn't a pawn shop. I can't let you past this desk. In fact, you shouldn't even be in the lobby. You need to—
  
[''Suddenly, Engineer appears from a balcony above the lobby, as Miss Pauling and the mercs look up at him. To the side, Sniper and [[Demoman]] are looking at a statue in the middle of the lobby, depicting figures from the [[Non-player characters#Other teams|various other mercenary teams]] and plates with the letters 'A', 'B', 'C', 'D' and 'E' surrounding a ''Team Fortress 2'' logo. At the bottom are broken prongs where a sixth letter was once placed'']
+
[''Suddenly, Engineer appears from a balcony on a higher floor of the lobby, as Miss Pauling and the mercs look up at him. To the side, Sniper and [[Demoman]] are looking at a statue in the middle of the lobby, depicting figures from the [[Non-player characters#Other teams|various other mercenary teams]] and plates with the letters 'A', 'B', 'C', 'D' and 'E' surrounding a ''[[Team Fortress 2]]'' logo. At the bottom are broken prongs where a sixth letter was once placed'']
  
 
'''Engineer''': Miss Krauthammer! It's alright! They're with me! Fellahs! It's been a dog's age! Get up here!
 
'''Engineer''': Miss Krauthammer! It's alright! They're with me! Fellahs! It's been a dog's age! Get up here!
  
[''The scene shifts to the hallway outside of a break room, with Spy smoking a cigarette, while [[Pyro]] and Demoman look at hung-up pictures. The latter is looking at an image of the Demoman from another mercenary team, of whom is clad with armour and shoulder-mounted rockets'']
+
[''The scene shifts to the hallway outside of a break room, with Spy smoking a cigarette, while [[Pyro]] and Demoman look at hung-up pictures of the other merc teams; the latter of them is looking at an image of the Demoman from another mercenary team, of whom is clad with technilogically advanced armour and shoulder-mounted rockets'']
  
 
'''Engineer''': ["I gotta tell ya, you have created a real...] ["...a real problem here, Flo."]
 
'''Engineer''': ["I gotta tell ya, you have created a real...] ["...a real problem here, Flo."]
Line 388: Line 388:
 
'''Miss Pauling''': I've devoted my whole life to this. To whatever grand plan she had. Or whatever '''''evil''''' plan, who cares. But she'd '''''get''''' there. And I'd be '''''right there with her.''''' I want to see her, Engie.
 
'''Miss Pauling''': I've devoted my whole life to this. To whatever grand plan she had. Or whatever '''''evil''''' plan, who cares. But she'd '''''get''''' there. And I'd be '''''right there with her.''''' I want to see her, Engie.
  
[''He gets up from the table and picks up a lantern with key tied to it and passes it to her'']
+
[''He gets up from the table and picks up a lantern with key tied to it, then passes it to her'']
  
 
'''Engineer''': Alright. Down the hall. Last door on the left.
 
'''Engineer''': Alright. Down the hall. Last door on the left.
Line 398: Line 398:
 
'''Engineer''': My grandfather never went down there. My father never went down there.
 
'''Engineer''': My grandfather never went down there. My father never went down there.
  
[''The scene shifts to the hallway, with Miss Pauling and the mercs approaching a stone-cut door surrounded by a rocky frame at the end, contrasting the office-like environment of the rest of the hall'']
+
[''The view shifts to the hallway, with Miss Pauling and the mercs approaching a stone-cut door surrounded by a rocky frame at the end, contrasting the office-like environment of the rest of the hall'']
  
 
'''Engineer''': ["I figure they had a '''''reason.'''''] ["Y'all go ahead."]
 
'''Engineer''': ["I figure they had a '''''reason.'''''] ["Y'all go ahead."]
 +
 +
[''Miss Pauling and the mercs enter and descend a spiral staircase, the surrounding environment now dark and cave-like'']
 +
 +
'''Scout''': Hey, Miss Pauling? There's a good chance we're all going to die down here. So I... I... I need to say somethin'.
 +
 +
'''Miss Pauling''': Okay. Shoot.
 +
 +
'''Scout''': When I was talkin' to you back in Siberia— well, not you, a miniature fairy version of you— you told me never to give up. To just keep perseverin' and wearin' you down like drops of water borin' through stone... until I got to wherever your heart is and made you realize you love me. And I been thinkin'— maybe you were wrong. No offense. When we were on the plane just now— I was lookin' down at that tiny world out there, and it hit me... there's like eighty million women in the world, probably, and... ...and there's gotta be '''''one''''' of em I don't gotta wear down. No convincin', no gun show— just, '''''boom.''''' "I get it dummy. You're the best." So yeah, I just wanted to... I just wanted you to know that. That I'm movin' on.
 +
 +
[''She stops and turns slowly to face him'']
 +
 +
'''Miss Pauling''': You know what, Scout? Those eighty million other women in the world, statistically speaking... a lot of them are probably '''''way''''' hotter than me.
 +
 +
'''Scout''': Whoa, really?
 +
 +
'''Miss Pauling''': It's math, dummy.
 +
 +
'''Scout''': Yeah, it is.
 +
 +
[''They fistbump with a '{{font colour|FAF2B4|''DAP''}}' as they approach the end of the cave, where a bulky metal door blocks their path'']
 +
 +
'''Miss Pauling''': Alright, we're here.
 +
 +
[''Miss Pauling places down the lantern and goes to open the door — but hesitates, her face engulfed in darkness'']
 +
 +
'''Demoman''': We goin' in?
 +
 +
'''Miss Pauling''': Yeah, just... after all this... maybe Engie's right. Maybe I '''''don't''''' want to see this.
 +
 +
[''She looks at the key, but after a brief pause inserts it into the lock with a '{{font colour|FED17A|''KLIK''}}' sound and begins to open the door as the mercs look on eagerly'']
 +
 +
'''Miss Pauling''': No. Let's find out once and for all what's back here.
 +
 +
'''Voice''': ["Sorry to keep you waiting."]
 +
 +
[''The scene shifts to one in the distant past, the voice revealed to be a ginger-haired maid — [[Non-player characters#Patience Meriweather|Patience Meriweather]] — answering the door to a woman with purple hair and a long smoking pipe — [[Non-player characters#Elizabeth|Elizabeth]]'']
 +
 +
'''Meriweather''': How can I help you?
 +
 +
'''Elizabeth''': I'm here about the job.
 +
 +
'''Meriweather''': That can't— how did— I was just heading to the newspaper to purchase an ad for the position.
 +
 +
[''Elizabeth walks in uninvited, passing by Meriweather, of whom now wears a bewildered expression'']
 +
 +
'''Elizabeth''': Well. A stroke of luck for both of us, then. Now you don't have to. Please go get the master of the house.
 +
 +
'''Meriweather''': The lady of the house died recently, you see. We're in need of—
 +
 +
'''Elizabeth''': A governess, yes, thank you, I'm all caught up. Please go get the master of the house.
 +
 +
[''The scene shifts to a study filled with books, and a lit fireplace. In the center of the room a middle-aged man — [[Non-player characters#Zepheniah Mann|Zepheniah Mann]], on a stepping stool with a hammer and chisel, carving away at a statue of [[w:The Thinker]] with a head shaped similarly to his own head. Sitting to the side of him is [[Non-player characters#Meadowes|a scribe]] writing a letter with a feather pen'']
 +
 +
'''Zepheniah''': ''"Dear The Mayor of Paris." My name is Zepheniah Mann. You will remember I purchased Rodin's The Thinker from you." "I have been chiseling its face to match '''my''' face, but now the head is too small and misshapen." "It doesn't look anything like I'm thinking anymore. It just looks like I'm on the toilet and scared."''
 +
 +
[''He lowers the chisel to his side, Meriweather appearing behind him and standing in the hallway'']
 +
 +
'''Zepheniah''': Meadowes, I '''''do''''' look scared to be on the toilet, don't I?
 +
 +
'''Meadowes''': Terrified, Sir.
 +
 +
'''Meriweather''': <small>''Mister Mann? Sir?''</small>
 +
 +
'''Zepheniah''': ''"I have enclosed another check. Send another statue with a normal sized body but a very large head, ASAP."''
 +
 +
'''Meriweather''': <small>''Sir?''</small>
 +
 +
[''He turns angrily to face the Meriweather'']
 +
 +
'''Zepheniah''': ''"Yours in etc etc, Zepheniah Mann—"'' '''''WHAT IS IT?'''''
 +
 +
'''Meriweather''': There— there's someone at the door for you, Sir.
 +
 +
'''Zepheniah''': I see. Is it that woman standing directly behind you?
 +
 +
[''Elizabeth enters the room unprompted, as Zepheniah heads back to his desk for a cigar'']
 +
 +
'''Elizabeth''': It is. I'm here for the governess position.
 +
 +
'''Zepheniah''': Capital. Let's go for a walk of the grounds. It's too stuffy in here. Cigar?
 +
 +
[''They make their way out to a snowy courtyard filled with gravestones, almost all with the last name 'Mann' inscribed'']
 +
 +
'''Zepheniah''': Let me ask you one question... do you know who I am.
 +
 +
[''Elizabeth exchanges a steely-eyed expression, as they continue up towards a stone mausoleum'']
 +
 +
'''Elizabeth''': No. Should I?
 +
 +
'''Zepheniah''': I suppose not. If you are to take this post, you must harden your heart. I expect unflinching, round-the-clock brutality. If that means they '''''hate''''' you, so be it.
 +
 +
'''Elizabeth''': I will make them despise me.
 +
 +
'''Zepheniah''': Good. A Mann scion does not need coddling. He needs '''''molding.''''' You will raise my son to be a titan of industry. A self-made man. A stubborn, bloody-minded scoundrel. You must make him into '''''me.'''''
 +
 +
'''Elizabeth''': You mean sons.
 +
 +
'''Zepheniah''': I do not. This way.
 +
 +
[''They enter the building, passing by graves with statues representing members of the Mann family lining the sides'']
 +
 +
'''Zepheniah''': The '''''Mann Family Mausoleum.''''' Not the riff-raff out there. These are the corpses that '''''paid''''' for everything. My grandfather, '''''Ebenezer Mann.''''' Shipping magnate. Youngest of five sons. Every brother in the ground by the time he bought his first fleet. My father, '''''Ezekiel Mann.''''' Railroad tycoon. Middle child. A house fire claimed his three sisters. He weathered the tragedy and was a millionaire before he turned seventeen. Zepheniah Mann. Me. Munitions magnate. Only son, sadly.
 +
 +
[''They stop infront of an unmarked, empty grave'']
 +
 +
'''Zepheniah''': And my '''''son.''''' Heir to the Mann family fortune. Name to be determined. That's where you come in.
 +
 +
'''Elizabeth''': You want me to '''''kill''''' one of your sons?
 +
 +
'''Zepheniah''': Quite the opposite. I want you to teach them. Train them. Mold them both into '''''champions.'''''
 +
 +
[''Both exit the mausoleum, and stop infront of another unmarked grave with a small, blank headstone'']
 +
 +
'''Zepheniah''': Until their hereditary instincts kick in and the '''''stronger''''' one kills the other. I'll know you succeeded when we've filled this in.
 +
 +
'''Elizabeth''': Yes. I can do this for you.
 +
 +
[''They both shake hands. Behind them, Meadowes approaches wearing a desk-harness'']
 +
 +
'''Zepheniah''': Capital. You're hired. And I don't even know your name.
 +
 +
'''Elizabeth''': My name is—
 +
 +
'''Zepheniah''': That was not a question. I would prefer to keep this professional. You start immediately. I will provide you a letter of introduction. Meadowes. A letter.
 +
 +
'''Meadowes''': Yes Sir.
 +
 +
'''Zepheniah''': ''"Dear baby [[Non-player characters#Blutarch and Redmond Mann|Blutarch]] and baby [[Non-player characters#Blutarch and Redmond Mann|Redmond]]. I hope this letter finds you well. The woman standing before you—"''
 +
 +
[''The scene cuts to Elizabeth approaching a small manor'']
 +
 +
'''Elizabeth''': ["That will not be necessary.] ["I can make my '''''own''''' introductions."]
 +
 +
[''The scene cuts back to a room filled with monitors, each depicting images of locations within ''Team Fortress 2.'' The Administrator stands in the center of the room infront of a chair, and a small desk littered with files, monologuing to a figure suspended infront of her'']
 +
 +
'''Administrator''': I'd come to '''''kill''''' the boys, obviously. Smother them in their sleep.
 +
 +
[''Miss Pauling — now holding the Australium rock — enters the room with the mercs, putting a finger to her mouth as a gesture for them to stay quiet. Their expressions change to shock as they approach'']
 +
 +
'''Administator''': But that wouldn't have '''''worked,''''' would it? You weren't their '''''father''''' then.
 +
 +
[''The viewing angle changes to reveal the suspended figure as Zepheniah Mann, restrained by a metal box with multiple Australium-stained pipes attached to it and him from all directions and his eyelids are held open by a hook each. His appearance is that of a corpse, with pure white eyebrows and hair only at the nape of his neck, his mouth constantly agape'']
 +
 +
'''Administrator''': They were '''''nothing''''' to you. Slabs of stone in need of a sculptor's chisel. You were waiting for your '''''champion.'''''
 +
 +
[''The scene cuts back in time again to Elizabeth sitting in a room, with two toddlers — Redmond and Blutarch — playing with toys. She watches on as the two begin to fight'']
 +
 +
'''Administrator''': ["Someone '''''worthy''''' of your time and attention."] ["Your legacy."] ["Your love."] ["If I wanted to '''''destroy''''' you..."] ["...to watch you die cursing my name..."] ["I needed to ensure your champion never emerged."] ["The two little nitwits needed to fight."]
 +
 +
[''The scene cuts back in time again to Zepheniah Mann in a bed, writing on a parchment paper. He is visibly old, now wearing his [[Ghastly Gibus|signature top-hat]], while Elizabeth stands at a balcony smoking a cigarette'']
 +
 +
'''Administrator''': ["Forever."]
 +
 +
'''Zepheniah''': ''"...damn you all to hell..."'' No, that's not right. ''"...damn you all to hell!"'' Better. Signed... ''"Zepheniah Mann..."'' There. I signed the confounded thing! Elizabeth!
 +
 +
'''Elizabeth''': I'm coming, Zepheniah.
 +
 +
'''Zepheniah''': Elizabeth! I signed it!
 +
 +
[''Outside, it is revealed they are at a building simply named 'Saloon and Inn'. A wooden sign boarded infront of the saloon's entrance reads 'Mercenaries Welcome''']
 +
 +
[ [[Teufort (city)|Teufort]], New Mexico. 27 years later. ]
 +
 +
'''Elizabeth''': Let me see it.
 +
 +
[''Back inside, Elizabeth is reading through the parchment paper — [[The Last Will and Testament of Zepheniah Mann|Zepheniah's will]]'']
 +
 +
'''Zepheniah''': I still don't fully understand all this '''''BLU''''' and '''''RED''''' gravel nonsense. But I have complete faith that making my two stumble-bum sons fight over it will finally result in one of them emerging vic—
 +
 +
'''Elizabeth''': It won't.
 +
 +
[''Zepheniah squints in confusion, while Elizabeth returns a smug grin'']
 +
 +
'''Zepheniah''': ... What?
 +
 +
'''Elizabeth''': I lied.
 +
 +
'''Zepheniah''': About what?
 +
 +
'''Elizabeth''': About everything. All of this— the land, the Americas, all of it. Your sons are going to fight '''''forever,''''' Zepheniah. There will be no end to this. You will never have a worthy heir.
 +
 +
[''She leans in close, Zepheniah wearing an expression of horror and shock'']
 +
 +
'''Elizabeth''': I '''''guarantee''''' it. I will be right here. Watching them fight until they '''''die.'''''
 +
 +
'''Zepheniah''': ... But why?
 +
 +
'''Elizabeth''': Let me tell you.
 +
 +
[''She leans in closer, whispering into Zepheniah's ear. He turns pale as his eyes widen, before they slowly fade to white. Elizabeth lights a cigarette as she takes the will, packs her belongings and exits, leaving the now-deceased Zepheniah Mann on the bed'']
 +
 +
[ Mann Manor. One year later. ]
 +
 +
[''Elizabeth awakens with a smile to sunlight coming through the window, a painting of a dramatic interpretation of her final moments with Zepheniah hung above the bed. She is depicted in a blue and white frilly dress with a red cloak while wielding a sword, one of her shoes planted firmly against Zephaniah's face. She exits to a garden shed for gloves and shears, trimming roses from the various graves in the courtyard, then plucking their petals one-by-one. While holding the newly-beheaded roses, she approaches a small grave covered in even more headless roses with the initials 'Z. M.' inscribed, and smiles gleefully'']
 +
 +
[''Elizabeth awakens to a cloudy day, and exits with a veiled hat and gloves to attend to a beehive. She removes a glove to feel one of the bees, of which promptly stings her. Unphased, she grabs the bee and crushes it, then pulls it away from her now-swollen finger. She removes the gloves and hat as she stands infront of Zepheniah's grave again, now wearing a tired expression'']
 +
 +
[''Elizabeth sits in bed with messy hair, surrounded by ashtrays as a storm creates a downpour outside. She stares ahead of her at Zepheniah's gravestone, now moved to a desk stationed directly infront of the bed. Outside, a carriage drops off a young man in a gray suit, who walks through the courtyard of Mann family graves, coming across a broken set of beehives and a puddle where Zepheniah's grave once stood. He enters the building, and follows a set of muddy footprints up to an attic'']
 +
 +
'''Young Man''': Hello.
 +
 +
[''Infront of him is Elizabeth, standing atop a stepping stool holding the end of a noose while smoking a cigarette. He exchanges a smug grin'']
 +
 +
'''Young Man''': Have I come at a bad time?
 +
 +
[''Without responding, she puts the noose around her neck and removes the cigarette from her mouth, then kicks the stepping stool from underneath her. The scene turns black, before she slowly awakens to the young man standing infront of her, holding a pair of shears. She reaches for her cigarette'']
 +
 +
'''Elizabeth''': You should have let me die.
 +
 +
'''Young Man''': Oh, I did.
 +
 +
[''A yellow tube coming from the young man's sleeve is shown to be inserted into Elizabeth's arm, her veins glowing a light yellow. He removes the needle with a '{{font colour|F0D12A|POIK}}' sound, the hole left behind in her wrist now a dim orange'']
 +
 +
'''Young Man''': Yes. Empty now. But I gave you just enough to get back. Madam, do you know who I am?
 +
 +
'''Elizabeth''': You're... '''''[[Non-player characters#Gray Mann|Gray]].''''' Aren't you? Blutarch and Redmond's brother. They told me you were eaten by eagles shortly after birth.
 +
 +
'''Gray''': Ha ha! My idiot brothers and their fairy tales. No, I was '''''kidnapped''''' by eagles. I escaped. Speaking of fairy tales...
 +
 +
[''He looks over at Elizabeth, now wearing an annoyed expression, as she faces away'']
 +
 +
'''Gray''': ...I also know who '''''you''''' are. Or rather, I know who you aren't. Which is [[Administrator#Emily|Emily]] or [[Administrator#Elizabeth|Elizabeth]] or [[Administrator#HER|Helen]] or whatever bogus identity you're using at the moment. More importantly, I know what you did to my father.
 +
 +
'''"Elizabeth"''': So... what? You're here to avenge him?
 +
 +
[''She holds the frayed end of the noose out infront of her'']
 +
 +
'''"Elizabeth"''': If so, help me back up this ladder and let's get to it.
 +
 +
'''Gray''': Hardly. In truth, I'm not that interested in either one of you.
 +
 +
[''Gray reaches into his coat and pulls out a small yellow pebble, holding it between his fingers'']
 +
 +
'''Gray''': No, I'm here about the "miracle gravel" my father left you. Do you have it?
 +
 +
'''"Elizabeth"''': I do. It's fool's gold. Worthless.
 +
 +
'''Gray''': As gold, certainly. Because it's '''''not''''' gold. It is a '''''new element''''' entirely. A '''''transformative''''' element capable of extending the human lifespan up to... ...and as we've just discovered, '''''past''''' the point of death. Obviously not of interest to someone... well. But to those of us with the will to continue '''''living...''''' ...it's '''''priceless.''''' I came here to see if you'd sell it to me. But given present circumstances, could I possibly trouble you to just '''''give''''' it to me?
 +
 +
[''"Elizabeth" — now facing away — stares through a glass window, processing this new revelation'']
 +
 +
'''Gray''': Madam?
 +
 +
[''She turns back to face him'']
 +
 +
'''"Elizabeth"''': Of course. I'll need a few days to secure it. Meet me back here in a week's time.
 +
 +
'''Gray''': Tremendous. And once I've taken it off your hands, I'll leave you to hang yourself in peace.
 +
 +
'''"Elizabeth"''': I look forward to it.
 +
 +
[''As Gray leaves to his carriage, "Elizabeth" stares down through the attic window with a manic smile. The scene cuts to her pulling various tarps, revealing several bars of Australium piled upon eachother. The scene shifts again to a shed outside, where "Elizabeth" — still wearing the noose, but now holding a lantern — acquires a shovel, then makes her way to the burial ground of Zepheniah. She buries the shovel's head into the ground with a '{{font colour|D8AA50|''SCHLK''}}' as she begins to dig'']
 +
 +
'''Administrator''': ["That was the start of everything."]
 +
 +
[''The scene changes back to the monitor room, with the Administrator sitting in her chair, reading a file. The monitor screens reflect off of Zepheniah's eyes'']
 +
 +
'''Administrator''': And we've been at this ever since, haven't we?
 +
 +
[''She gets up and puts her hand on the side of his face, looking at him with glowing yellow eyes as Miss Pauling and the mercs stare in disgust and horror'']
 +
 +
'''Administrator''': Just you and me.
 +
 +
'''Miss Pauling''': What... what did he do to you?
 +
 +
'''Administrator''': Aheh. You know... after all this time... I don't remember.
 +
 +
[''The Administrator glances back'']
 +
 +
'''Administrator''': Wait. Why are you here? Did you '''''find''''' some? Did you find '''''more?'''''
 +
 +
[''She grabs Miss Pauling's shoulders, a crazed expression on her face'']
 +
 +
'''Administrator''': Miss Pauling, listen to me. This could change '''''everything. Did you find us more?'''''
 +
 +
[''Miss Pauling holds the Australium rock firmly behind her, frozen with horror as she stares at the Administrator'']
 +
 +
'''Miss Pauling''': No. I didn't.
 +
 +
[''The Administrator looks at her in dismay, but begins to smile as she turns away, her face and hair beginning to show age. She faces towards Zepheniah once more'']
 +
 +
'''Administrator''': It's been a hundred years, hasn't it? Making you watch your sons fail. Again and again. All that... ...wasted time.
 +
 +
[''As she talks, she begins to age more and more, the yellow glow in her eyes fading away. Both her and Zepheniah tear up as she collapses to the floor, before she wipes away her tears with an evil smile'']
 +
 +
'''Administrator''': It was worth it.
 +
 +
[''She leans over on the floor, now holding Zepheniah's body as Miss Pauling and the mercs watch them. One by one, the mercs leave as the Administrator and Zepheniah slowly turn to dust infront of Miss Pauling. The scene cuts back upstairs to the break room as Miss Pauling walks in — dust staining her dress and trailing behind her, as she places the Australium rock and her bag upon the table and sits down, the yellow glow of the Australium lighting up her weary eyes. Engineer places a glass of water on the table infront of her, then sits down as well'']
 +
 +
'''Engineer''': It's yours now. What are you gonna do with it?
 +
 +
'''Miss Pauling''': I don't know.
 +
 +
'''Engineer''': Guess you know the big secret now. Never was about takin' over the world for her. Wasn't even about revenge. Not by the end, anyhow. By the end it weren't about nothin'. Bu it '''''could''''' be. Could be about whatever you thought she was doing.
 +
 +
[''Miss Pauling's eyes widen, still lit by the glow of the Australium rock'']
 +
 +
'''Engineer''': Could be '''''you''''' doin' it. Could be you doin' any damn thing you want.
 +
 +
[''He picks up the Australium rock and holds it infront of him'']
 +
 +
'''Engineer''': Nickel's worth of advice? Go find Soldier's cave.
 +
 +
'''Miss Pauling''': Yeah...?
 +
 +
'''Engineer''': Make sure you mine every last ounce out of it. Make sure you get it '''''all.''''' Put it on a boat. Sail out to the middle of the ocean. And drop it down the deepest trench you can find.
 +
 +
[''He places the Australium rock back on the table before getting up to leave'']
 +
 +
'''Engineer''': But it's your call, Flo.
 +
 +
[''Miss Pauling picks up the Australium rock and stares silently into it as Engineer exits the room'']
 +
 +
'''Engineer''': If you keep it... I ain't gonna help you. And you oughta know that you won't '''''never''''' be free of it. And I mean maybe '''''really''''' never.
 +
 +
'''Miss Pauling''': Engie.
 +
 +
[''He turns back to see Miss Pauling walking out of the room, visibly shaken'']
 +
 +
'''Miss Pauling''': You know any deep trenches?
 +
 +
[''Engineer returns a smile'']
 +
 +
'''Engineer''': I might know a few.
 +
 +
'''Soldier''': ["...and just when we all thought the fridge in the break room was fixed after all..."] ["...it made another '''''brrrddt''''' noise."] ["The Engineer walked back into the room. To fix the fridge? No, he walked right past it. Why?"] ["I'm afraid the answer to that question is a story for another time."]
 +
 +
[''The scene shifts back to Soldier and Merasmus, now sitting side-by-side tied to chairs, with a blue light overhanging them. Soldier has blood coming from his bottom lip'']
 +
 +
'''Soldier''': The end.
 +
 +
'''Merasmus''': Oh, thank Go—
 +
 +
'''Soldier''': '''''Epilogue!''''' The next day, Miss Pauling and the Engineer came and took all of the gold out of my savings cave. And '''''that...''''' is why I had to borrow money from the Korean Mafia in your name.
 +
 +
'''Merasmus''': But why did you '''''need''''' that much money?
 +
 +
[''Soldier pulls out a [[:File:Hidden-Pages Family Portrait 2.png|portrait of the Mann family]], his thumb obscuring the middle of the photograph'']
 +
 +
'''Soldier''': I am glad you asked. It starts with this photo.
 +
 +
'''Merasmus''': Wait, your '''''hands''''' are untied? You could have freed us at any time? We're being '''''tortured,''''' Soldier!
 +
 +
'''Soldier''': Ha! You call this torture?
 +
 +
[''The scene pans out to reveal the [[Non-player characters#Korean Mafia|Korean Mafia]] around them in a warehouse, as well as Merasmus' abused corpse in a third chair next to Merasmus' ghost, revealing he died during Soldier's story'']
 +
 +
'''Mafia Boss''': We do call it that, yes. Perhaps there is a language barrier? We are torturing you. We've been torturing your friend while you talked. He's dead now.
 +
 +
'''Soldier''': "Dead?" Ha! Merasmus, they can't see you! Quickly! Fireball them before they torture me!
 +
 +
'''Merasmus''': Yes! I just need to get my spectral hands out of these astral bindings! '''''Stall''''' them, Soldier!
 +
 +
'''Soldier''': You got it! Hey you Koreans! I heard you're '''''terrible''''' at torturing!
 +
 +
[''Merasmus glances at him in dismay'']
 +
 +
'''Merasmus''': Soldier! I meant stall them '''''away''''' from torturing you!
 +
 +
'''Soldier''': Ah. That is '''''not''''' the rock I just pushed down this hill.
 +
 +
'''Mafia Goon''': Who told you this? Our torture style is known throughout the lands!
 +
 +
'''Mafia Boss''': Kenzi! Torture this man!
 +
 +
[''Kenzi — wearing a bloodstained scrub suit, and the Mafia goon — wearing a yellow shirt and pants, begin to approach Soldier and Merasmus'']
 +
 +
'''Soldier''': Merasmus, hurry! I think they're about to torture somebody!
 +
 +
'''Merasmus''': ''Alllmost...''
 +
 +
'''Soldier''': You guys are in for some sorcery now! Quick, Merasmus! Unleash hell!
 +
 +
'''Merasmus''': Soldier, my ghost hands are still—
 +
 +
[''Kenzi puts the pliers in Soldier's mouth, grabbing a tooth, while the goon holds Soldier's head back'']
 +
 +
'''Soldier''': ''You're embarrassing me in front of my friends, Merasmus.''
 +
 +
'''Merasmus''': I can't, Soldier. I'm sorr—
 +
 +
[''Before Merasmus can finish, loud '{{font colour|FFCD30|'''''WHAM'''''}}' sounds can be heard as Kenzi pulls out one of Soldier's teeth. The scene changes abruptly to a jungle in the past, as a giant sloth bursts through a stone door with the same '{{font colour|FFCD30|''WHAM''}}' sound'']
 +
 +
'''Giant Sloth''': '''ROOOAAAAR!'''
 +
 +
[''The view shifts to a young Saxton Hale and Maggie tied to stone pillars, as well as Saxton Hale's former mentor [[Non-player characters#Charles Darling|Charles Darling]], of whom is wielding an unusual looking horn'']
 +
 +
'''Darling''': ...it can't be... ...the door of summoning was supposed to '''''trap''''' it...
 +
 +
'''Saxton Hale''': Well, it didn't. You've got five seconds before that thing eats all of us! You're first because you're smallest. Then Maggie, then me.
 +
 +
[''Darling walks behind the stone pillars as he begins to untie them'']
 +
 +
'''Darling''': Yes. Yes, let me untie y—
 +
 +
'''Saxton Hale''': Or maybe he'll break all your bones and save you for later! Eat us first and make you watch! Then he'll eat your limbs! You'll just be a crying stump, Darling. You'd better untie us or—
 +
 +
'''Darling''': I am '''''trying''''' to untie you!
 +
 +
[''Saxton Hale and Maggie both get free, preparing to fight the giant sloth'']
 +
 +
'''Darling''': There! You're free! Now '''''fix this!'''''
 +
 +
'''Saxton Hale''': Stand back, pee wee.
 +
 +
'''Darling''': Wait! There's something you must know!
 +
 +
'''Saxton Hale''': That's where you're '''''wrong,''''' Darling! There is '''''nothing''''' I need to know! I've got two fists and my best girl! So you just keep quiet back there, and we'll—
 +
 +
'''Maggie''': Uh, Sax...
 +
 +
'''Giant Sloth''': <big>'''''{{font colour|FBB238|ROOAAAGH}}'''''</big>
 +
 +
[''Suddenly the giant sloth's head and neck light up with orange feathers, and with glowing green eyes fires lasers that destroy the surrounding stone pillars with a loud '{{font colour|5BCA5D|ZZZZARRRPPP}}' sound, then grabs Darling by the arm'']
 +
 +
'''Saxton Hale''': Holy hell, that's new.
 +
 +
'''Darling''': That's what I've been trying to tell you! This is no '''''normal giant sloth!''''' It's the '''''Megatherium''''' of '''''Mictlan!''''' Protector of the Aztec Underworld!
 +
 +
'''Giant Sloth''': '''ROOAAAR!'''
 +
 +
[''Saxton Hale and Maggie group up together'']
 +
 +
'''Saxton Hale''': <small>''Okay, Darling's an idiot and he's summoned a monster from Aztec Hell. What do you think we should do, Mags?''</small>
 +
 +
'''Maggie''': <small>''Well, the way I figure it, Sax...''</small> If he blew '''''into''''' that dumb trumpet to bring that thing here... maybe a second toot sends it back!
 +
 +
'''Saxton Hale''': Ha! Mags! That's just crazy enough to work!
 +
 +
[''The giant sloth now holds Darling into the air, as Maggie picks up the horn'']
 +
 +
'''Darling''': It's not crazy enough! It won't work! You must blow the summoning horn '''''three times''''' in quick succession!
 +
 +
'''Giant Sloth''': '''''Rrrr...'''''
 +
 +
'''Maggie''': Hey, ugly! Sorry to '''''horn in''''' on—
 +
 +
[''Darling is now held above the giant sloth, his head now shoved inside of its mouth with a '{{font colour|F9EA75|GLMMPH}}' sound'']
 +
 +
'''Darling''': I wasn't finished! Now that you've gotten the beast's attention, breathe in through your nose while simultaneously pushing air out through your mouth! This is '''''circular breathing!''''' It will produce a continuous drone sound that—
 +
 +
'''Saxton Hale''': I've got a better idea! '''''Hey! Monster!''''' How about you swallow that appetizer...
 +
 +
'''Maggie''': ...and come get '''''dinner!'''''
 +
 +
'''Darling''': Wait! Spit out the appetizer!
 +
 +
'''Voice''': ["Sir?"]
 +
 +
[''The scene changes to Saxton Hale — now with a thick beard — looking up at the head of the giant sloth'']
 +
 +
'''Voice''': Sir? We need you to sign off on the documents you signed off on yesterday.
 +
 +
[''The view pans out to reveal Saxton Hale in his office, the giant sloth now a stuffed trophy stationed near him, and [[Non-player characters#Mr. Bidwell|Bidwell]] standing nearby wearing a blue suit, holding stacks of papers. The desk is littered with various bottles and cans'']
 +
 +
[ Present Day (1979) ]
 +
 +
'''Saxton Hale''': I hate this place, Bidwell.
 +
 +
'''Bidwell''': Not this again. You got what you wanted, Sir. You got Mann Co back. You sound like Olivia.
 +
 +
'''Saxton Hale''': Olivia?
 +
 +
'''Bidwell''': Gray Mann's daughter. She took over Mann Co from you. And then you stormed back in seven years ago and took it back.
 +
 +
'''Saxton Hale''': Oh right. Whatever happened to her?
 +
 +
[''The view shifts to reveal Olivia in a small chair and desk next to Saxton Hale's chair and desk. The small desk also has a handful of bottles sitting atop it'']
 +
 +
'''Olivia''': Still here.
 +
 +
'''Saxton Hale''': ''Ohhhh,'' right. Sorry, it's hard to see your tiny desk from up here.
 +
 +
[''She kicks up a leg onto her desk and starts drinking from a bottle'']
 +
 +
'''Bidwell''': Sir, we really shouldn't be letting her drink.
 +
 +
'''Saxton Hale''': Ah, come on, Bidwell. It's just the little airplane bottles.
 +
 +
'''Bidwell''': Sir, she's fourteen.
 +
 +
'''Olivia''': Why '''''shouldn't''''' I drink, Bidwell?
 +
 +
'''Bidwell''': Because you are fourteen.
 +
 +
'''Olivia''': Ever since I was a baby, I was part of my stupid Dad's stupid world takeover. I don't want to run a company! I hate it here!
 +
 +
[''She gets up and approaches one of the many stuffed trophies in Saxton Hale's office'']
 +
 +
'''Olivia''': All we do is sell guns to stupid morons and sit in this stupid room with all these stupid stuffed animals!
 +
 +
'''Bidwell''': Those are Mister Hale's trophies, Olivia. He worked '''''very''''' hard to fight all those—
 +
 +
'''Olivia''': Like a '''''billion years''''' ago! Everything in this '''''room''''' is a trophy! If you got a new one, where would you even '''''put''''' it?
 +
 +
'''Saxton Hale''': She's right. Olivia?
 +
 +
'''Olivia''': '''''What?'''''
 +
 +
'''Saxton Hale''': You're fired.
 +
 +
[''Olivia turns back to face him, her expression shifting from one of frustration to happiness'']
 +
 +
'''Olivia''': Really?
 +
 +
[''She runs up to Saxton Hale, of whom is now standing, and gives him a hug. The angle shifts to the open office doors'']
 +
 +
'''Saxton Hale''': Go live your life. Make your own trophies.
 +
 +
[''She leaves and walks down the hallway, as Saxton Hale watches behind her with a smile'']
 +
 +
'''Bidwell''': Sir, she is a child and you are her guardian. You can't let her leave. That's actually illegal.
 +
 +
'''Saxton Hale''': Right, I got carried away. Keep an eye on her. Set up a trust. Anything she wants to do. Make sure she can do it. Bidwell?
 +
 +
[''He puts a hand on Bidwell's shoulder'']
 +
 +
'''Bidwell''': Sir?
 +
 +
'''Saxton Hale''': I'm fired too. Mann Co's yours.
 +
 +
'''Bidwell''': Sir, I— I couldn't possibly...
 +
 +
'''Saxton Hale''': Alright, your loss. [[Non-player characters#Mr. Reddy|Reddy?]]
 +
 +
[''Bidwell freezes up, as Reddy approaches from behind a stuffed bear he was polishing. He is wearing a red suit, and carrying a bucket labelled 'Bear Polish''']
 +
 +
'''Reddy''': Yes Sir?
 +
 +
'''Saxton Hale''': You own Mann Co now.
 +
 +
'''Reddy''': Yes Sir.
 +
 +
[''Saxton Hale begins to exit the office as Bidwell and Reddy look on'']
 +
 +
'''Saxton Hale''': Goodbye, Reddy.
 +
 +
'''Reddy''': Goodbye, Sir.
 +
 +
'''Saxton Hale''': Goodbye, Bidwell.
 +
 +
'''Bidwell''': Um. Maybe we could both co-own...?
 +
 +
'''Saxton Hale''': You two work out the details. That little girl was right. I need some new trophies. And I know just the gal to help me get 'em.
 +
 +
[''The scene cuts back to Heavy breaking through the doors of the building Soldier and Merasmus are being held in with a '{{font colour|F57A40|'''''SMASH'''''}}', carrying [[Minigun|Sasha]] with him. He now has a thick black beard'']
 +
 +
'''Heavy''': '''{{font colour|E4C93D|RRRRRRRAGGGGHH!}}'''
 +
 +
'''Soldier''': Oh, hi, Heavy. Look, Merasmus! It's the communist I used to work with. I'm married to his sister. [[A Cold Day in Hell|Our story begins in Siberia where a giant hot dog and I tracked—]]
 +
 +
'''Mafia Boss''': Well, aren't we blessed beyond measure. Here I thought we'd only get to torture two Americans today... and now we have three.
 +
 +
[''A red laser appears on the Mafia Boss' chest, the laser coming from the [[Sniper Rifle|Sniper's rifle]], stationed on an upper floor of the warehouse'']
 +
 +
'''Mafia Boss''': Ah. I see.
 +
 +
'''Heavy''': So. We are at an impasse.
 +
 +
'''Mafia Boss''': And I'm afraid it may be too late for negotiation. We've already killed one of your colleagues.
 +
 +
[''Heavy looks at Merasmus' battered corpse'']
 +
 +
'''Heavy''': I do not know who that is.
 +
 +
'''Soldier''': It's my best friend! Dead Merasmus!
 +
 +
[''Heavy puts his hand to his chin as he recollects his memories'']
 +
 +
'''Heavy''': ''Oohhhh.'' This is the old witch woman who tried to kill us on Halloween for many years. I remember now.
 +
 +
[''His face returns to a neutral expression'']
 +
 +
'''Heavy''': I do not care.
 +
 +
'''Mafia Boss''': Ah! We don't either. Excellent. What we '''''care''''' about is this one. The one who is not dead. He owes us 12,000 won. Nobody leaves until the debt is cleared.
 +
 +
'''Heavy''': 12,000 won. That is... seventeen U.S. dollars. You captured these men from a maximum security prison, flew them to Gwangju and tortured them to death... for seventeen dollars.
 +
 +
'''Mafia Boss''': Naturally. We have a reputation to consider. If the Korean Mafia would do all that for seventeen dollars... ...imagine what our enemies believe we would do for '''''real''''' money.
 +
 +
[''Heavy pulls out his wallet'']
 +
 +
'''Heavy''': Can you break a twenty?
 +
 +
[''The Mafia Boss also pulls out a wallet'']
 +
 +
'''Mafia Boss''': ''Hmm...'' I cannot. It seems we are once again at an impa—
 +
 +
'''Heavy''': Just keep it.
 +
 +
[''Soldier, now free from his chair, begins to leave'']
 +
 +
'''Soldier''': Okay, Merasmus, I have to go now. Have fun haunting this Korean drug factory.
 +
 +
'''Merasmus''': What? No! Soldier, don't leave me here!
 +
 +
'''Soldier''': What do you want me to do? You got killed '''''here,''''' Merasmus. Now you've got to haunt it for all time. I don't make the rules. It's ghost law.
 +
 +
[''Merasmus grabs a brick and holds it up'']
 +
 +
'''Merasmus''': '''''Wait!''''' I could haunt this brick! Here! Put it in your pocket!
 +
 +
[''Soldier takes the brick, turning to Kenzi, of whom is packing his tools and preparing to leave'']
 +
 +
'''Soldier''': Hey, guy who tortured me. Can I have this brick?
 +
 +
'''Kenzi''': Are you going to hit me with it?
 +
 +
'''Soldier''': I don't think so.
 +
 +
'''Kenzi''': Then sure.
 +
 +
[''Soldier places the brick Merasmus has begun to haunt in his back pocket'']
 +
 +
'''Soldier''': There. But now we're even.
 +
 +
'''Merasmus''': '''''Even?''''' Soldier, you broke into my home and '''''killed''''' Tom Jones! Then you framed '''''me''''' for the murder! Then let me rot in a '''''jail cell''''' for seven years! Then let me get '''''tortured''''' and '''''killed''''' by the Korean Mafia! <big>'''HOW ON ''EARTH'' ARE WE ''EVEN?'''''</big>
 +
 +
'''Soldier''': Tell you what. Why don't we go grab a brick from your house I burned down after I killed Tom Jones.
 +
 +
'''Merasmus''': You burned down my '''''house?'''''
 +
 +
'''Soldier''': I was wanted for '''''murder''''', Merasmus. Stay with me here. Son, I'm saying we can go back to your house and grab a '''''brick...''''' ...and you and Tom Jones can '''''both''''' live in my pants forever. Whataya say?
 +
 +
[''Merasmus stares at him with a mildly irritated expression as they leave, with Heavy and Sniper waiting for Soldier to catch up'']
 +
 +
'''Merasmus''': Alright, fine.
 +
 +
'''Soldier''': Good, that's settled. Now let's get out of here before someone sees me. I'm wanted in Korea for murder.
 +
 +
[''The scene changes to Spy in a coat and scarf standing infront of a mailbox, with the surnames 'Willis-Mitchell', 'Willis-Graham', and 'Willis-Gibson' on the side — most of the names striked out, with only the last 'Willis' left unstriked. Spy takes out a letter from the full mailbox, addressed from the city of Teufort, NM to 'Jeremy Willis' of 10027 Lynn Street, Boston, MA'']
 +
 +
[ One week later. ]
 +
 +
[''Spy makes his way towards the door of the house, where he's greeted by Scout and [[Non-player characters#Scout's children|four children]]. Scout is wearing a jumper and has grown longer hair'']
 +
 +
'''Scout''': ''Hey-y-y-y!'' Look who it is, kids!
 +
 +
'''Spy''': Hello, Jeremy.
 +
 +
[''Spy enters, hanging his coat on a rack next to the door. The house is thoroughly decorated thoroughly with festive ornaments. Various family photographs are hung up on the hallway walls depicting Scout, his children, and [[Non-player characters#Scout's mother|his mother]]'']
 +
 +
'''Spy''': I apologize. Am I early?
 +
 +
'''Scout''': Nah! I mean, you're the first one here, so a little. But this is the first one of these we've ever done, so I say you're right on time. Come on in!
 +
 +
'''Spy''': Oh my goodness. So many children. These are '''''all''''' yours?
 +
 +
'''Scout''': Hell yeah they are. My boys can swim. My girls too. We all just got back from the pool. Guys! Go take those swimsuits off, you're gettin' water everywhere!
 +
 +
[''They enter a living room, with stockings hung above a fireplace and a Christmas tree in the corner, bent over due to it being too tall for the room'']
 +
 +
'''Spy''': Is... your wife home?
 +
 +
'''Scout''': Them? Nah. None of them deadbeats are in the picture currently. I'm raisin' these on my own.
 +
 +
'''Spy''': Yes, but '''''how?''''' You can't possibly have a job. We don't officially '''''exist.''''' I burned your fingerprints off myself.
 +
 +
'''Scout''': ''Psh'' That's easy. I sued the city!
 +
 +
'''Spy''': You sued...
 +
 +
[''Scout lifts his jumper, revealing many stitches and scars, as well as a Tom Jones tattoo'']
 +
 +
'''Scout''': The city of Teufort! I broke my leg like six times out there, my arm about a dozen, like thirty concussions. I don't even think I've got kidneys anymore. Or maybe I got too many? Point is, I know I look good, but trust me, I'm a '''''mess''''' on the inside. They '''''owe''''' me!
 +
 +
'''Spy''': We were '''''murdering''''' people out there. For '''''years.'''''
 +
 +
'''Scout''': I know! That's how I broke my arm!
 +
 +
'''Voice''': Daddy! Daddy!
 +
 +
[''They turn to face one of Scout's children — a little girl with a pink sparkling skirt — holding up a broken tiara'']
 +
 +
'''Scout''': What is it, Tanya?
 +
 +
'''Tanya''': Tommy broke my tiara! I can't be a princess now!
 +
 +
'''Spy''': Tanya, hello.
 +
 +
'''Tanya''': Who are you?
 +
 +
'''Spy''': I am your...
 +
 +
[''He hesitates, then smiles'']
 +
 +
'''Spy''': Father's friend. From work. Tanya, do you know what is even '''''better''''' than a princess?
 +
 +
'''Tanya''': What?
 +
 +
[''He takes off his mask, then gives it to Tanya, of whom responds with an excited expression'']
 +
 +
'''Spy''': A princess '''''assassin.'''''
 +
 +
[''Tanya puts on the mask — too big for her head — and runs around excitedly. Spy's face is revealed for the first time, showing him with dark hair and a light stubble'']
 +
 +
'''Spy''': You have a lovely family, Jeremy.
 +
 +
'''Scout''': Thanks! You should come by more often, you're '''''great''''' with 'em! Hold on, I think they're here!
 +
 +
[''Scout goes to the front door, where he is greeted by Demoman, [[Non-player characters#Mr. & Mrs. DeGroot|his mother]] and the [[Non-player characters#Eyelander|Eyelander]]. Further down the street Soldier and Zanya can be seen as their children run across the front yard, as well as [[Non-player characters#Heavy's family|Heavy's sisters and mother]] exiting a van. Sniper's camper van can also be seen parked on the road'']
 +
 +
[''The scene changes to inside, as Heavy comes through the frontdoor with a large wrapped-up turkey. Multiple pictures taken through the day are shown, with a photo of Sniper removing his glasses, a photo of Pyro watching the fire with Scout's children, a photo of Medic's chimpanzee, [[Non-player characters#Archimedes|Archimedes]] and [[:File:RingofFired66.png|the Dalmation from the Maws & Paws animal hospital]], a photo showing Heavy holding up the turkey with a label reading 'Bonk Farms' 'This MegaTurkey™ Courtesy of Ms. P', a photo showing Spy smoking while holding a wine glass and looking at one of Scout's hung-up pictures, and Scout coughing after having a drink, as Ms. DeGroot slaps his back and Heavy's mother laughs'']
 +
 +
[''Suddenly, the doorbell rings with a '{{font colour|CCCAA6|''DING DONG''}}' sound as Scout goes to answer'']
 +
 +
'''Scout''': You guys go ahead and start, I'll be right there!
 +
 +
[''The view changes to the reader's point-of-view as Scout opens the door with a smile'']
 +
 +
'''Scout''': Oh hey! It's '''YOU!''' Get in here, you big dummy.
 +
 +
[''They enter the house'']
 +
 +
'''Scout''': Nah, we're just startin'! I even saved ya a seat.
 +
 +
[''The reader walks alongside Scout down the hallway'']
 +
 +
'''Scout''': Y'know... I'm real glad you could make it. We've been through a lot, you and us. And I... well, it's good to know you stuck around, after everything we've been through.
 +
 +
[''He glances back from the entrance of the dining room'']
 +
 +
'''Scout''': Alright, c'mon, let's eat before this gets embarrassin'. Miss Pauling bought us a turkey! But just remember...
 +
 +
[''They both enter the dining room with Scout pulling out a chair, the table filled with plates of [[Sandvich|sandwiches]] and the roast turkey surrounded by the mercs, their family members, pets and friends. In the background the words 'Merry Smissmas' are hung up'']
 +
 +
'''Scout''': ["We couldn't have done '''''any''''' of this without you."]
 +
 +
[''The scene changes to Saxton Hale and Maggie stanced up in a field surrounded by cheetahs. They're now visibly much older, both with completely grey hair, and Saxton Hale's chest hair now barely visible. His hat can be seen in one of the cheetah's mouths'']
 +
 +
[ The African Veldt. Now. ]
 +
 +
'''Saxton Hale''': Ha! We're '''''really''''' in for it now, Mags! Fist-fighting all these cheetahs managed to attract '''''more cheetahs!'''''
 +
 +
[''Maggie punches one of the cheetahs in the face, sending its teeth flying, as Saxton Hale pulls his hat back out of one of the cheetah's mouths before putting it back on'']
 +
 +
'''Maggie''': Looks like we're either gonna have to fight 'em all, Sax... or jump off this cliff.
 +
 +
'''Saxton Hale''': What's the matter, Mags...
 +
 +
[''The view zooms out to show even more cheetahs surrounding them, with only a cliff behind them. The sun begins to set in the background'']
 +
 +
'''Saxton Hale''': You wanna live forever?
 +
 +
<big>'''{{font colour|DE233B|THE END}}'''</big>
 
|}
 
|}

Latest revision as of 23:10, 3 January 2025